(AP)Book+IV+Section+1+Answers

1. //Multus// modifies **honos (line 4)** 2. -//que// in line 5 connects **vultus and verba** 3. In line 8, //male sana// is an example of **litotes (badly sane)** 4. The case of //sese// (line 1) is **accusative** 5. //Sederet// is in a **present contrary-to-fact condition** 6. //huic uni// modifies **culpae** 7. The case of //sensus// (line 22) is **accusative** 8. The subject of //dehiscat// is **tellus.** 9. //Te// (line 27) refers to **pudor (shame)** 10. In line 28, //ille// refers to **Sychaeus** 11. Case and use of //luce// (line 31) is **ablative of comparison** 12. //Sorori// (line 31) refers to **Anna** 13. The tense and mood of //noris// (line 33) is **future perfect indicative** 14. The case of //Libyae// in line 36 is **locative** 15. In line 38, //dives// modifies **terra** 16. //Genus// (line 40) is in apposition to **Gaetulae urbes** 17. //Dicam// in line 43 is in the subjunctive because **it is deliberative (I may say)** 18. In line 46, //tenuisse// is in the infinitive because it is **an indirect statement** 19. Mood and tense of //cernes// (line 47) is **future indicative** 20. The form of //veniam// (line 50) is **first person singular present active subjunctive** 21. The part of speech of //morandi// (line 51) is **gerund/verbal noun** 22. //Impenso// (line 54) modifies **amore** 23. The case and use of //menti// (line 55) is **dative of indirect object** 24. //Lyaeo// (line 58) is another name for **Bacchus** 25. The object of //tenens// (line 60) is **pateram** 26. The subject of //consulit// (line 64) is **Dido
 * Short Answer Question Answers**

Translation and Analysis Questions** 1. Dido is taken by a "hidden fire," which is hidden because no one knows yet about Dido's love. 2. //Igni// (line 2); //taedae// (line 18); //vestigia flammae// (line 23); //flammavit// (line 54) 3. Loving Aeneas is a //culpa// (crime), because it goes against her promise to Sychaeus. 4. Dido addresses her sense of modesty (pudor), saying "before I violate you, oh sense of honor, or break your laws." The apostrophe makes Dido's feelings appear more immediate and heartfelt. 5. "Do you believe that either ashes or the buried shades of the dead care about this?" "This" is Dido's promise to herself to remain single after the death of her husband. Anna's point is to show Dido that her promise is meaningless to the dead, and therefore she should succumb to her feelings for Aeneas. 6. Anna tells Dido to "weave in reasons for delaying;" i.e., point out to Aeneas the he should not sail in the wintry weather and stormy seas. 7. Anna's words "release [Dido's] sense of modesty," even though Dido had said that she would sooner die than "break the laws" of modesty. 8. Dido prays to Juno because she is the goddess "to whom the marriage bonds are a concern." Dido is hoping that she and Aeneas will marry.